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Published in advance of Wolfgang Tillmans’s forthcoming large-scale
survey at MoMA, this anthology brings together for the first time
more than thirty years of interviews and texts, offering a unique
window into his prodigious writerly output. Wolfgang Tillmans: A
Reader is a panoramic collection of interviews and writings from an
artist for whom language has always been a significant means of
creative expression. Arranged chronologically, the assembled texts
reflect Tillmans’s thinking on photography, music, politics,
nightlife, astronomy, spirituality, and activism. The sources are
as varied as their content, with statements and conversations that
originally appeared in exhibition catalogues rubbing up against
social-media posts and song lyrics. Whether discussing his own work
as a photographer or drawing out the thoughts of others, Tillmans
is a generous interlocutor with a refreshing clarity of thought.
This timely and visually rich publication tracks Tillmans’s
contributions to art and cultural criticism in tandem with the
social and political shifts of the past thirty years. “Wolfgang
Tillmans is not only a great artist, he’s a joyous intellectual
whose generosity, wit, and good-natured skepticism is political,
authentic, and playfully profound. Read this volume and marvel at
his highbrow yet unpretentious theories on abstraction combined
with a low-level appreciation of the down and dirty. Thrill to
Wolfgang’s magically elitist yet of-the-people reinvention of
‘real’ photography and weep at the beauty of his love for the
‘unforeseen.’ Can printed museum art-talk be so smart that it
becomes sexually arousing for the reader? Sure it can. And this is
just the book to prove that.” ―John Waters “For over
thirty years, Wolfgang Tillmans has been surveying culture and
politics, as attentive to the production of news as he is to the
radical intimacies of the nightclub or protest. Through his lens
the world recovers its complexity. In an era of dangerous
simplifications, we need his work more than ever.”
―Olivia Laing “In perusing this Reader, I kept on
thinking of two things: the generosity that allows the artist to
share his worlds with us, and the possibilities of using artistic
practice to resist and challenge the asymmetries of our times.”
―Bonaventure Soh Bejeng Ndikung
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