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Publikace: Stu Mead - Mead Stuard. At the end of history, at the
close of the story of the West that conservative visionaries have
been promising, we must publish all the things we have dreamed of
even if it might face universal rejection. The people who will be
going through the ruins of our civilization should know what we
were thinking about, what shaped our opinions and determined our
actions – just as we know that ancient Greece was more than a
rhetorical exercise and an oasis of puritan civic democracy. This
book is being published at a time when war is again more moral than
a sexual orgy, a woman cannot beat a man with impunity, America no
longer understands Dada and is turning into Sparta, England does
nothing other than build houses and make pop music, France has
forgotten why it once admired the Marquis de Sade, and Germany is
so proper that it prefers to do nothing at all. (...) Has anyone
ever understood Stu Mead? It isn’t at all clear from the existing
texts. Has Stu ever understood himself, when he often openly
regrets the things he has said in media interviews? Yes, but today
he chooses his words carefully. The superficial viewer immediately
interprets his work as vulgar, and society threatens him with
punishment for crimes against the contemporary understanding of the
morals of modernity. Perhaps that is one reason why he has turned
his back on modern forms and methods even though he was a sensitive
virtuoso who could have been a modern master capable of skillfully
working with what remained of Surrealism, Suprematism, and Cubism,
just like Gerhard Richter in Germany and Peter Howson in England.
But in the middle of his artistic career, Stu ceased shaping
artistic styles and, just like the disappointed Howson, who let
himself be carried away by the bitterness of Christian messianism,
Stu Mead gladly succumbed to hell and to an exploration of his
pleasures. There is nothing bad about that. If we did not explore
the extremes of our imagination, we would not know where to stop in
our reality. Even at the risk that we will not recognize it. But we
have accepted this risk because we are willing to live our lives in
a world of both uncertainty as well as promise. Publikace: Stu Mead
- Mead Stuard.
Práce u Winchesterových je moje poslední šance začít s čistým
štítem. Jenže se ukáže, že jejich tajemství jsou mnohem
nebezpečnější než ta moje… Každý den uklízím jejich krásný dům,
vyzvedávám jejich dceru ze školy a vařím pro celou rodinu. Sama pak
jím ve svém pokojíku v podkroví. Snažím se nevnímat, jak Nina dělá
nepořádek, jen aby se mohla dívat, jak ho uklízím. Jak o vlastní
dceři vypráví podivné lži. A jak se její manžel Andrew zdá být den
ode dne ztrápenější. Ale když se dívám do jeho krásných očí, je
těžké si nepředstavovat, jaké by to bylo žít Ninin život.
Winchesterovi nevědí, kdo doopravdy jsem. Nevědí, čeho jsem
schopná…
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