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By the winner of the Nobel Prize in Literature 2021 An
extraordinary depiction of the life of an immigrant, as he
struggles to come to terms with the horror of his past and the
meaning of his pilgrimage to England Dear Catherine, he began. Here
I sit, making a meal out of asking you to dinner. I don't really
know how to do it. To have cultural integrity, I would have to send
my aunt to speak, discreetly, to your aunt, who would then speak to
your mother, who would speak to my mother, who would speak to my
father, who would speak to me and then approach your mother, who
would then approach you. Demoralised by small persecutions and the
squalor and poverty of his life, Daud takes refuge in his
imagination. He composes wry, sardonic letters hectoring friends
and enemies, and invents a lurid colonial past for every old man he
encounters. His greatest solace is cricket and the symbolic defeat
of the empire at the hands of the mighty West Indies. Although
subject to attacks of bitterness and remorse, his captivating sense
of humour never deserts him as he struggles to come to terms with
the horror of his past and the meaning of his pilgrimage to
England. Review Exile has given Gurnah a perspective on the
"balance between things" that is astonishing, superb -Observer [A]
captivating storyteller, with a voice both lyrical and mordant, and
an oeuvre haunted by memory and loss. His intricate novels of
arrival and departure . reveal, with flashes of acerbic humour, the
lingering ties that bind continents, and how competing versions of
history collide-Guardian Gurnah is a master storyteller -- Aminatta
Forna- Financial Times Gurnah etches with biting incisiveness the
experiences of immigrants exposed to contempt, hostility or
patronising indifference on their arrival in Britain-Spectator
Gurnah writes with wonderful insight about family relationships and
he folds in the layers of history with elegance and warmth- The
Times
Hematoiové oplývají božskými schopnostmi, ale pokud se zkříží se
smrtelníky, jejich děti mají jen dvě možnosti: stát se služebníky,
nebo strážci, kteří zabíjejí démony. Sedmnáctiletá Alexandria
nehodlá drhnout záchody, a tak se soustředí na studium v Konventu.
Tam se jí začnou podlamovat kolena z čistokrevného Aidena, ale to
není největší problém – tím je zůstat naživu tak dlouho, aby mohla
absolvovat. Pokud to nesvede, změní se v démona a nepůjde po ní
nikdo jiný než… Aiden. A to by bylo vážně o krk.
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