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Whether in his sumptuous images for advertising or his soft-hued
nudes, Paul Outerbridge (1896–1958) was an alchemist of desire.
Color was integral to his aesthetic allure, embracing the complex
tri-color-carbro process to create a seductive surface of texture
and tone. His quest was for “artificial paradises”—a perfection of
form, with a surreal edge. This concise monograph introduces
Outerbridge’s unique aesthetic and its commercial and artistic
trajectory, from his professional peak as New York’s highest-paid
commercial photographer through to his retreat to Hollywood in the
1940s after a scandal over his erotic photography. With key
examples from his oeuvre, the book explores Outerbridge’s
innovative style through Cubist still life images, magazine
photographs, and his controversial nudes, as well as his
interaction with other avant-garde photographers, such as Alfred
Stieglitz, Paul Strand, and Man Ray. Along the way, we recognize
Outerbridge’s particular ability to transform everyday objects into
a quasi-abstract composition and his pioneering role in championing
the expressionistic, as much as commercial, potential of color
photographs. Contributors The editor Manfred Heiting is an
internationally acknowledged designer, curator, and expert on and
collector of photographs and photobooks; he lives in Malibu and
Brussels. He is a founding member of the J. Paul Getty Museum
Council and since 2016 UCLA Distinguished Lecturer in the
Humanities. He is editor and designer of Deutschland im Fotobuch,
The Soviet Photobook, and The Japanese Photobook and co-editor and
designer of Autopsie: Deutschsprachige Fotobücher 1918–1945. The
authors Elaine Dines-Cox is an independent art museum curator
living in San Francisco. Her 1981 monograph on Paul Outerbridge was
the first published catalogue raisonné on an art photographer.
Carol McCusker is Curator of Photography at the University of
Florida’s Samuel P. Harn Museum of Art, Gainesville, Florida. She
is former Curator of Photography the Museum of Photographic Arts,
San Diego.
MANIPULÁTORKADokážu manipulovat emocemi kohokoli, kdo mi to
dovolí.Způsobím vám bolest, rozpláču vás, rozesměju a přiměju vás
si povzdechnout.Ale moje slova na něj neplatí.Zvlášť když ho
prosím, aby odešel.Pořád tam je, sleduje mě a čeká.A já se nikdy
nedokážu odvrátit.Ne když chci, aby přišel blíž.STÍNNechtěl jsem se
zamilovat.Ale teď, když jsem se zamiloval, se nedokážu držet
dál.Jsem okouzlený jejím úsměvem, jejíma očima a tím, jak se
pohybuje.Jak se svléká...Budu ji dál sledovat a čekat. Dokud nebude
moje.A jakmile bude, už ji nikdy nenechám odejít.Ani když mě bude
prosit, abych to udělal.
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