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Ever since the dawn of the sound era, Hollywood has made a series
of elaborate feature films about the lives of the great visual
artists: including (among many others) Charles Laughton as
Rembrandt; George Sanders as Gauguin; Jose Ferrer as
Toulouse-Lautrec; Kirk Douglas as Van Gogh; Charlton Heston as
Michelangelo-and, more recently on a smaller scale, Jeffrey Wright
as Jean-Michel Basquiat; Derek Jacobi as Francis Bacon; Ed Harris
as Jackson Pollock; Salma Hayek as Frida Kahlo (at last a female
artist!); and many others, pitched at more niche audiences. These
films have represented the lives of artists in ways that ''chime''
with public expectations and public attitudes-with stories that
take audiences on a journey from garret to gallery to glamour to
gutter to grave. So, although they are often dismissed out of hand
by art historians and curators, the films can tell us a great deal
about how art and artists have entered the cultural bloodstream of
modern Western societies. What can they reveal about the changing
public image of the visual artist? What assumptions did Hollywood
screenwriters and filmmakers make about awareness of the history of
art in society at large? And what assumptions did they reflect/
promote about the artists'' private lives-as well as their gender
and ethnicity? What was the background to the making of these
films? And what impact have they had on the real art world - its
exhibitions, auctions, collections, and artists? There has never
before been a full-length book devoted to the fascinating story of
THE HOLLYWOOD HISTORY OF ART, in all its glory. This generously
illustrated volume will fill this surprising gap. It is based on
many years of archive research, as well as on interviews with
participants and the author''s long experience of teaching art
history. It will appeal to museum and gallery-goers, readers
interested in the history of art and of film, film buffs,
collectors, viewers of TV miniseries and films about artists-and of
course those with fond memories of Jose Ferrer wandering the
streets of Montmartre on his knees, Kirk Douglas gritting his teeth
and being attacked by crows, Charlton Heston swallowing a mouthful
of paint as he frescoes the ceiling of a 70mm Sistine Chapel, Ed
Harris in a T-shirt dripping brushfuls of paint onto a huge canvas
and Salma Hayek being transported at speed in a four-poster bed to
a contemporary art gallery in Mexico City...
Alexandria netuší, zda se dožije svých osmnáctých narozenin – svého
Probuzení. Dávno zapomenutý fanatický řád ji chce zabít, a pokud
Rada někdy zjistí, co udělala v Catskills, je s ní konec… a s
Aidenem také. Každé blízké setkání se Sethem ji navíc přibližuje k
Probuzení dřív, než bylo v plánu. S blížícími se narozeninami se
celý svět začíná rozpadat a ona se ocitá mezi láskou a osudem.
Jeden muž ji chce chránit, druhý jí od začátku lže. A bohové? Velmi
se zlobí a začínají ničit…
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