Marvin E. Newman
Knihu koupíte v
2 e-shopech
od
1 403 Kč
Pokud se vám po kliknutí na tlačítko "Do obchodu" nezobrazí stránka knihy ve vybraném e-shopu, je třeba vypnout AdBlock ve vašem prohlížeči pro naši stránku.
Návod na vypnutí je například na adrese https://o.seznam.cz/jak-vypnout-adblock/#1.
Martinus.cz
1 403 Kč
Skladem
(odeslání ihned)
Bookshop.cz
1 763 Kč
Skladem
(dodání do 3 dnů)
Krátký popis
In 1952, after becoming one of the first-ever recipients of a
Master of Science degree in Photography at Chicago’s Institute of
Design, native New Yorker Marvin E. Newman returned to his
hometown. Like many artists before, he set about chronicling the
city.Unlike his predecessors, Newman chose color photography as the
preeminent medium for capturing the people and energy of New York,
and its emergence in the 1950s as the self-proclaimed “Greatest
City in the World.”Lauded by the likes of Eastman House, MoMA, and
the International Center of Photography, Newman’s images remained,
up until now, largely undiscovered beyond a prestigious collector
and gallery circle. After featuring Newman in New York: Portrait of
a City, TASCHEN now presents the artist’s first career monograph
including some 170 pictures from the late 1940s through the early
1980s, previously available in a Collector’s Edition. Newman passed
away in 2023 at the age of 95.From Times Square to Wall Street,
from Broadway to Little Italy, Newman’s vivid, original tableaux
offer fresh perspectives on familiar New York landmarks but, above
all, a unique sense for life in the city and for the drama and
extremities that weld New York to so many hearts. Beyond New York,
Newman applies the same flawless technique and humanist sensibility
to other locations across the United States including Chicago,
Kansas, a vintage 1950s circus; a legalized brothel in Reno,
Nevada; Las Vegas; Alaska; and groovy 1960s California; as well as
top shots from his sports photography portfolio featuring icons
such as Cassius Clay and Pele´. Newman, who is represented by the
prestigious Howard Greenberg Gallery, was long overdue a
monograph.With an essay by critic and scholar Lyle Rexer, this
first chronological retrospective offers due recognition to an
outstanding talent, providing memorable images that leave their
mark on the eye and the soul.