This book presents a thematic analysis of various aspects of solitude, silence and loneliness, from the ancient world to the present day, explored thematically with consideration to the links between aloneness to other social and political issues. The themes include exile (expulsion from a community), ecstasy (getting 'out of oneself') and enstasy (being comfortable within oneself), to the Romantic idea of the artist as solitary. There is work on aloneness in and through nature, especially the importance of natural settings for positive experiences of solitude. A central theme is alienation and its emotions, with the idea of loneliness and the rejected self being a more modern experience. The book explores modernism and postmodernism as presenting new forms of solitude in the twentieth century, and how, more recently, there have been attempts to 'recover' the self, through therapeutic uses of the arts. All of these types and experiences of aloneness are described through the lenses of artistic, literary and musical forms of expression, as aloneness is not only explored and articulated through these art forms, but is in many ways created through these art forms.
Když je vKonstantinopoli obviněn zvraždy a odsouzen k smrti Petr zMichalovic, vracející se zpouti do Jeruzaléma, zasáhne vlivný řád johanitů. Pomocí úplatků dosáhne toho, že císař Michael dovolí, aby zločin přešetřil zástupce českého krále. Sohledem na složitou politickou situaci si totiž nemůže dovolit pohněvat ještě Přemysla. A tak se do Byzance vydává české poselstvo, vněmž samozřejmě nechybí ani Oldřich zChlumu. Císař mu udělí pravomoci vyšetřovat, jenže ve světě postaveném na intrikách a zradě, musí královský prokurátor neustále balancovat na hraně života a smrti…